My Taste in Art

It's either really good or really bad. I'm not sure. What I know is that any time we visit an art museum, whether it be the permanent collection or a limited-time special exhibition, I find a piece or two that really speaks to me and I want to take it home.

That's good, right?

And because I assume the museum peeps aren't going to be down with me putting those framed works in my car and taking off with them, I usually just check the museum store for prints or reproductions.

So here's where I start to question my taste. The art I adore? It's never available in the gift shop. No worries, I'll go home and look online! Except, it's never available there either. For reference, see "The Lie". No kidding, if you could find me a print of that photo, at any price, I would kiss you. Or have your babies. Or pay you a 10% finder's fee. Whatever you wanted, because I would be that indebted.

Is it that my taste in art is so good that they want to keep those gems hidden away, unavailable for public take-home? Or is it that my taste in art is so bad that they just assume there would be no market so they don't bother making prints available?

Because, you know, it's all about me.

Or maybe the issue is that these artists I love had really sucky agents who failed to negotiate a syndication deal for them.

At least these particular pieces that caught my eye are less than three miles from my house. I'll have to go visit them. And debate my taste with the voices in my head.

Watercolors: Sheet #1

After putting paint into my palette, I picked up a book I had bought and tried a few of the techniques they mentioned. Then I became insanely impatient and decided to start just throwing paint on paper to see what happened.


Please click image if you wish to embiggen

In the upper left, that was supposed to be a nice solid block of color. The orange (actually, vermilion, which is my new BFF) square to the right, that's a fading wash, getting lighter as it moves down the paper. Across the bottom, that's supposed to fade gently from one color to another. And then various other stuff playing with brush strokes and mixing paints (some kind of feather/flower/blob and a headless person walking off the side of the photo).

Here's what I learned:

1. I did "stretch" the paper, aka wetting it down so it can soak in lots of water and not get all crinkly gross. However, I then kinda forgot to rewet the paper before I started working so it was really dry. More water on paper equals more flowy paint.
2. The colors are much more bold than I intended. I needed to mix in more water (plus the water on the paper)
3. The fluffy brush that came in my set is for cold weather painting - it's shedding its coat here in this heat, leaving fur everywhere like Tonya. Replace that brush!
4. Vermilion is awesome.

It was just kinda awesome to put paint on paper to see how it behaved a little bit. I expect to do a lot of learning through mistakes. Seriously, wait until you see Sheet #2. The best part of watercolors is that they're not that expensive and clean-up isn't too bad. And I had fun doing it. I may never be great, but I found it to be relaxing so I plan to keep playing.

BTW - since I clearly have no idea what I'm doing, I'd love to hear any advice or suggestions you have for me.

Inspiration: Found!

Hey, remember when I posted here sometimes? And then I ran into a dry patch with no inspiration? Well, the drought is over. In fact, I'd say it's been over since my trip to Europe, which was two months ago. However, free time to blog about it seems to be lacking. But I have a lot to share so hopefully there will be many posts coming soon.

Some will be about this:



I also have various things I've been meaning to share from the trip, other artists' work, and various whatevers. So be sure to follow this blog or follow me on twitter for sneak previews.